The "Hot" New Collectibles

A few months ago I wrote an article named "Signed vs. Unsigned -

Buying Art, Pottery and Collectibles". The basic premise of the

article was my own opinion about "Should you pay the price for

signed jewelry, art and collectibles, as opposed to buying what

you love, whether signed or unsigned?". Since writing that

article, I have read in one of my many collectible newsletters

and magazines that the "hot" new collectible trend is buying

unsigned and unknown artist and artisan items. I personally

think this is great! Not only does it help the collectibles

market, in several different areas such as unsigned jewelry,

studio art pottery and original artworks, who is to say what

that "unknown artist" or unsigned item will someday be worth?

Picasso received hardly any recognition while alive, but after

his death, we all know where the prices went on his works,

straight through the roof! If you are a collector, this is the

perfect time to start turning your buying trends towards

unsigned items, or as yet, unknown makers. The prices are much

lower than the normal collectible names, as well as the fact

that no matter what market you are buying in - BUY WHAT YOU

LOVE! This way, you don't end up spending a fortune on an item

that in five years may not even be considered a good collectible

investment. Remember the "Beanie Baby"ฉ craze? Well, now there

are tons of folks out there with mountains of "beanies" that

they may have paid a small fortune for, and I sure hope they

love them because that market is pretty much dead! The

difference between paying $150.00 for a Beanie Babyฉ during the

insanity of the craze feels much worse when the bottom drops out

of the market, than spending $150.00 for a couple of beautiful

art pottery bowls or vases, especially if you love the look of

the items anyway. When you look at the items that you purchased,

ones that could possibly become not only valuable collectibles

based on the development of the artist during their creating

lifetime or at the very least, loved heirlooms that are passed

on in a family, this all begins to make a lot of sense. If you

buy what appeals to you, you can never go wrong. It is my

philosophy to by what is aesthetically and artistically

appealing to me, is unique, and I could care less whether the

artist or maker is "known and listed" or not! Five years from

now, I will not be crying over my purchase and the money I

spent, I will still be loving the item as much when I purchased

it, if not more! If it goes up in value, so much the better.

That is just a wonderful side fact that doesn't even enter my

mind at the time of purchase. I buy because I like what I see,

hear, feel, etc. Perhaps this is why so many are turning to the

unsigned and unmarked items, without quite as much emphasis on

the signatures or hallmarks. Sure it's nice to own a full parure

of Miriam Haskell jewelry. But, I am more content with an

unsigned, unique sterling pin for a fraction of the price, that

I can actually wear and show off for a fraction of the price I

would have paid for the Haskell name. Of course, Haskell jewelry

is and always will be a hot collectible in the jewelry market,

but consider this. The majority of people collect her items

because of the artistic appeal, unique designs and quality of

the piece. Shouldn't we judge all items we consider purchasing

by those same rules, no matter who made them? I think so. I also

feel that in the long run, as time goes by, those purchases made

with the heart and the eyes will be the ones that we grow to

love the most. Sure, Haskell jewelry is a great collectible,

sure to increase in value as time goes by. But who is to say

that that little pottery vase made with great form and design by

a student in an art pottery studio or class will not someday be

worth a small fortune? Plus, as it increases in value, if it

does, you will have not paid a small fortune for it, you have

admired and loved it since you bought it, and your family may

now already arguing over who gets it one of these days when you

go to that great auction in the sky, regardless of the market

value! Items we acquire through life, if well loved and worn or

displayed with pride and love, develop a value all their own.

How do you think the collectibles market began? For instance, we

have in our family, a beautiful and very large ewer. For years

and years, it has been passed down from my grandmother, to my

mother, and now my sister and I are determined that this ewer

will never leave our family, if we can help it. Turns out that

this ewer is a Rookwood or Roseville, and most likely worth a

small fortune! Do you think that my Grandmother purchased it

because of the name? No, she bought it because it was pretty and

she loved the way it looked. Names meant nothing to her, she

just loved the look and feel of the pottery, and it has been on

constant display in our family, in one home or the other,

because of where it came from, not who made it! To us it is

priceless, no amount of money could ever get it away from us. To

the collector, it has a set price, although it may be a large

price, but that is no matter to us. We will never sell it

because of the memories it holds. I always get a little giggle

(not to offend anyone, it's just my strange sense of humor...)

when a dealer lists something as "An important piece of "such

and such"". Aren't they all important in one way or another?

They were important to the person that made them, or designed

them, or cast them, or threw the clay, I don't care if it was a

10 year old child in pottery class, or a ewer like the one in

our family. I guess what I am trying to say is that all items

have value, from one viewpoint or the other, and we shouldn't be

so caught up in the "name game". Broaden your horizons on your

next browsing trip and always remember that "one man's trash is

another man's treasure"!